Avishai Cohen, born in Kabri, Israel on April 20th, 1970, has over the course of his career helped bring the bass into the spotlight and has pushed the boundaries of jazz. His work has earned him international awards and global recognition, and as the prestigious Miles Davis Award presented at the Montreal Jazz Festival in 2023. Avishai has developed a strong network of followers and listeners, striking a chord with the audience wherever he has performed. Meanwhile, his unique compositions have been used in many films, TV and other media worldwide. The stage is undoubtedly a place where Avishai feels at home, so much so that attending one of his live performances is probably the best way to get acquainted with his musical universe. DownBeat magazine called Avishai “a jazz visionary of global proportions” while Bass Player magazine declared him one of the “100 most influential bass players of the twentieth century”
Avishai grew up in a multicultural family whose roots are found in Spain, Greece and Poland. At home, music was always in the air, with his mother Ora listening to both classical and traditional music. Avishai’s musical journey started when he began playing the piano at nine years old. After moving to St. Louis, Missouri, with his family aged fourteen, he continued to study the piano and discovered the bass guitar. The electric bass put a spell on him when his teacher introduced him to the music of luminary bassist Jaco Pastorius and Chick Corea’s Return to Forever. Back in Israel, Avishai joined the Music and Arts Academy in Jerusalem and turned to the upright bass. At the age of 22, having served for two years in the army band, he decided to take a big step and moved to New York City.
Avishai arrived in a wintry New York, January 1992. Moving to the Big Apple was a challenging decision, emotionally as well as professionally. The young Israeli had a tough beginning; performing on the streets and working in construction to get by. These small steps gave his music a unique sense of authenticity. He enrolled at the New School in New York City and was a contemporary there of such artists as Brad Mehldau and Peter Bernstein. Avishai was soon to be performing and recording with Panamanian pianist Danilo Perez’s Trio, reflecting the essential role that Latin music played in Avishai’s early years in New York.
In 1997 a call from Chick Corea changed everything. Avishai had prepared for this moment. He had passed one of Corea’s friends a demo tape. Chick listened to it in his car and called Avishai back a few weeks later, blown away by its freshness. As a co-founder of Corea’s Origin ensemble and a member of Corea’s New Trio, for over six years Avishai became an integral part of Chick’s music and received the opportunity to fine-tune his skills as bassist, composer and bandleader. Performing and touring with the master pianist played an important part in shaping Avishai’s musicianship. Avishai considers Chick a teacher, colleague and dear belated friend.
Avishai’s first four albums (1998’s Adama, 1999’s Devotion, 2000’s Colors, and 2001’s Unity) were released under Corea’s label Stretch Records and already featured the essence of his musical vision and original compositions. Mediterranean and Latin influences, the use of horns and vocals created a sound that is truly unique. Unity deserves a special mention. It is the first recording to showcase Avishai on piano. The album was recorded with Avishai’s International Vamp Band, a group of fellow musicians from different parts of the world (Mexico, Argentina, Cuba and Israel). The idea behind the cutting-edge project was to allow different cultures to interact and converse using the medium of music, delivering a message of peace and harmony.
The growing range of projects he was involved in led Avishai to create his own record label (Razdaz Recordz) with his manager in 2002, enabling him to follow his own path as well as record talented young musicians he believed in along the way.
Lyla (2003), Avishai’s debut release on Razdaz Recordz, reflected his multifaceted artistic personality. The album incorporates sounds ranging from Latin rhythms to electronics.
At Home (2005) can be regarded as a metaphor defining Avishai’s music, “Music makes one feel at home everywhere.” Most followers will also recognize At Home featuring the composition “Remembering,” an evocative ballad performed with trio and to this day the most demanded encore at his live performances. “Remembering” has also been included on many occasions in film and TV globally.
The cosmopolitan Continuo (2006) followed with great success and displayed the magic of a working trio unit. While the trio has largely formed the basis of Avishai’s recorded output, over the years many different musicians have occupied the drum and piano chairs. Each one brings a fresh perspective to the music.
In 2007, the live recording As Is…Live at the Blue Note was recorded in New York during a series of concerts at the legendary club.
After residing for many years in New York City, Avishai returned to his roots and moved back to Israel, releasing a fresh musical statement linked to his heritage and history. Sensitive Hours / Shaot Regishot (2008) attained gold sales status in Israel and was the first album to introduce Avishai’s vocals in all its compositions as well as songs in Hebrew. The album has since been released worldwide to great acclaim.
With Gently Disturbed (2008), Avishai achieved a masterstroke, hitting the right balance between a powerful trio set and delicate compositions. This release was an amalgamation of melody and groove, complexity and simplicity perfectly executed by Avishai’s working trio including Shai Maestro (piano) and Mark Guiliana (drums). Reflecting on the record a set of shows celebrating its 10th anniversary, Cohen said, “That is not an easy book to get [back] into, it doesn’t matter what shape you are in…it’s exciting music…it’s just fun to play!”
Avishai has always been open to various musical influences in his career and he has dedicated his creativity to music that is meaningful to him. 2009 saw the international release of Aurora, which incorporates the Ladino language (spoken by Sephardic Jews) and culture. Says Cohen, “I find so much honesty, truth and innocence in those songs that I wanted to keep the language and tradition and make people aware of it.” With Aurora, Avishai surrounded himself with a new musical family; the album is a unique project that blends jazz, classical music and Sephardic traditions. Avishai’s vocals are out front, and he sings in the languages he feels close to (Hebrew, English, Spanish and Ladino). The multilingual album with a focus on vocals enabled Avishai to attract listeners and fans way beyond the borders of jazz.
Having already recorded the albums Continuo and Gently Disturbed at the Swedish studio Nilento, sound engineer Lars Nilsson had also become a part of Avishai’s artistic family. Avishai felt it was the perfect place to record Seven Seas (2011), his second album with EMI / Blue Note. Seven Seas showcases Avishai’s compositional mastery, with tracks such as Halah and Dreaming combining the intensity of Avishai’s best trio work with his delicate vocal arrangements and ornamental horn parts. The record marked a new international high for Avishai in terms of record sales and remained in the French jazz charts throughout 2011 and 2012.
The same sessions that produced Seven Seas also produced Duende (2012). A Spanish word referring to the spirit, the groove, Duende is recorded in the intimate yet challenging format of the piano and double bass duo in tandem with pianist Nitai Hershkovits. It was indeed an enchanted and natural dialogue through music that shed new light on jazz standards (Monk’s “Criss Cross”, Porter’s “All Of You” and Coltrane’s “Central Park West”) and brought these arrangements by Avishai to the fore. The album, Avishai’s first full duo record, won a German Jazz Echo Award for Best International Album 2013.
Throughout 2013, Avishai presented a new, unique live project, “Avishai Cohen with Strings” to a worldwide audience. At the center of this project was a string quartet with a twist: Avishai replaced one of the violins with a viola in order to benefit from its darker timbre and create more depth. An oboist was further added to the ensemble and joined Avishai’s core trio. Avishai’s warm vocals in Hebrew, Ladino and Spanish subtly created a mood that complimented the luscious instrumentation on his own one of a kind compositions. He found in this original configuration – “a classical setting with an escape into jazz” as he described it himself – the best way to fully express his love for both.
In 2014, Avishai extensively toured with his trio, and the album titled Almah “trio with strings” project was released worldwide. Furthermore, Avishai produced and presented All Original, a beautiful compilation of music celebrating young Israeli jazz talents. Released on his own label Razdaz Recordz, Avishai hand-picked the groups featured on the album who he considered as some of the leading young composers in his homeland.
2015 saw the release of the new, highly anticipated trio album From Darkness. From Darkness stands out for the unity and mutual listening between the three partners: “With this Trio, there is an immediate form of equality between musicians. Here, three becomes one,” says Cohen. The album combines the strength, the groove and the rhythmic challenges of original pieces such as “Lost Tribe” or “C#-“, with the sensitivity and fragility noticeable in “Almah Sleeping” or “Ballad for an Unborn.” Its title is a misnomer; far from being a plunge into darkness, this release is uplifting for listener and musician alike. “In these difficult lives of ours, music can be a form of salvation. At least this is what it has always represented for me,” says Cohen.
In 2016 “An Evening with Avishai Cohen” was presented for the first time which augmented his core trio of double bass, drums and piano (plus Avishai’s vocals) with a full orchestra. Collaborations with over 30 orchestras including the Malmo Symphony, Brussels Philharmonic, the BBC Concert Orchestra, and the Philharmonie de Paris have been realized over the years. These unique and career-spanning concerts continue today.
Those who have followed Avishai’s career will know that his musical references reach far and wide, moving seamlessly from classical to jazz to pop. In 2017 he released 1970 which highlights his more accessible, pop-leaning influences without compromising his artistic integrity. Cohen plays and sings magnificently, showing his love of melody as well as the art of improvisation. “It’s not a jazz record,” Cohen explains. “I don’t know what it is, but I’ve always had a connection to pop. I like pop as much as I like Bach and Charlie Parker. Singing has become very serious in my life over time. I’ve been asked by many people, when is the vocal album gonna come? Well, this is it, right here.”
Around this time a beautiful co-operation came to fruition with famous French film directors Eric Tolédano and Olivier Nakaché. The duo commissioned Avishai to write the film score for their popular French movie Le Sens de la Fête. Released in October 2017 in over 40 countries, the film score and music also includes Avishai’s original compositions “Wedding Song,” “Remembering,” “Nu Nu,” and “Seven Seas” among others.
In 2019 Avishai released his next trio album Arvoles (“trees” in Ladino”) returning to the favored Nilento Studios in Sweden. This new musical statement delivered nine profound, freshly executed original compositions and one soulful arrangement. Arvoles floats between key trio songs with the compliment of horns on several of the tracks, showcasing a working unit of deliberation, spirit and joy. The album showcases Elchin Shirinov of Azerbaijan on piano and Noam David on drums.
Plans were being set for 2020 when Avishai was to celebrate his 50th year with 50 concerts in 50 countries all over the globe. However, due to the global COVID-19 pandemic, he spent most of his 50th year at home in Israel, actively composing and recording in his own Blue Door studio. Several live streams from the Blue Door were broadcast. In the early days of 2020 he also recorded and produced 3 original compositions for the short film documentary De Terezin au Kinderblock de Birkenau by French director Chochana Boukhobza.
Avishai was invited by Gary Barlow, lead singer of the pop group Take That, to record and perform as a special guest on the track “Before We Get Too Old.” The track was released on Barlow’s 2020 UK #1 album Music Played By Humans .
In November Avishai’s label Razdaz Recordz released a Limited Edition Vinyl Box Set The 50 Gold Selection. It marked the first time the music of Avishai Cohen had been remastered and presented in such an exclusive way, with 50 career-spanning tracks selected from a 2019 global fan survey. The box set features hit tracks such as “Remembering,” “Seven Seas,” “Eleven Wives,” “Morenika” and “Song Of Hope” selected from twelve albums.
2021 brought a welcome return to the stage as well as the release of ‘Two Roses’, recorded live with the Gothenburg Symphony Orchestra. As Cohen himself notes, his songs seem predisposed to adaptation at an orchestral scale. They retain the same intensity that has provoked such widespread admiration for his music. “An orchestra has its own rhythm,” says Cohen. “When you listen to this record, it feels like embracing a journey, entering my world, in a deeper and denser way.”
In 2022 saw the arrival of a fresh new talent. Avishai discovered drummer Roni Kaspi on social media and she quickly joined his trio alongside the steadfast Elchin Shirinov. The trio toured extensively (including Morocco and Senegal for the first time). In May, Shifting Sands, a new trio album, was released. Recorded at the familiar Nilento Studios, Shifting Sands showcases a working group hitting on all cylinders. Said Avishai, “This new album is the highest level I’ve reached so far, of me being the composer and the idea-maker, but (also) having them both state the mood and the vibe. Kaspi and Shirinov both grew up listening to my music and consider me an influence, which is incredible to me. Because they challenge me too.”
A busy year developed in 2023 which revealed many highlights.
In February at the Blue Note in Tokyo, Avishai and leading Japanese pianist Makoto Ozone debuted their “Amity” Duet to rave reviews. These two masters had never played together before and took the stage with little rehearsal – just the magic of a shared musical vocabulary. The duet continued to perform globally throughout the year and into 2024, with much acclaim and a lasting mutual friendship on and off stage.
Also Avishai went back to his early years in New York and realized Avishai’s longtime dream to complete a Latin inspired project with one of his favourite Latin musicians – master congero and vocalist Abraham ‘Abe’ Rodriguez Jr. The two recorded an intimate duo album in NYC (Iroko) that was released on May 5th (Believe/Naive) to critical acclaim.
The record was produced by Avishai and Spanish producer Javier Limon . The album includes Latin standards, new arrangements of classic songs (James Brown’s “It’s A Man’s World”) and many more. It is a landmark for Avishai as it is his 20th studio album release.
The live debut of Banda Iroko in Paris on March 12th brought together a slew of New York-based Latin musicians all connected from those days in New York in the early 90’s. The group then completed a weeklong residency at the legendary Blue Note Club in New York, where the New York Sun raved, “Everyone in the room was immediately shaking, moving, and chair dancing as best we could to that irresistible clave beat.” The Banda extensively toured throughout the globe and way into 2024.
In Montreal Canada in June 2023, Avishai received the festival’s most prestigious award, the Miles Davis Award. As its 28threcipient Avishai joins an illustrious group of contemporary jazz musicians, bandleaders, and composers. In a statement released on this momentous occasion, the festival wrote: “Avishai Cohen, this years recipient of the Miles Davis Award, has solidified his position as a prominent figure on the contemporary jazz scene over the last 25 years. As a bassist, singer and composer, his repertoire rivals that of the greatest icons in jazz.
A surprise was bestowed to Avishai in late 2024, as part of the French government’s special recognition of foreign artists, Avishai was awarded and elevated to the rank of Chevalier of the Order of Arts and Letters on Wednesday, November 20th 2024. This rare honour, was awarded by the French Ministry of Culture, recognising his accomplished career, and music distinguished by a lasting influence in France and the international jazz scene.The ceremony took place at the TSF Jazz Radio headquarters in Paris, in the presence of prominent figures from the artistic and cultural world. At the request of the Minister of Culture, in France, Madame Rachida Dati, comedian and actor Gad Elmaleh had the privilege of presenting Avishai with this prestigious distinction and honorary award.This occasion unfolded on the eve of an exceptional sold out concert at the legendary Olympia venue in Paris, a testament to his deep and long connection with the French audience.
In late October the album ‘Brightlight’ was released on Believe / Naive Records.The album is described as a testament to Cohen’s eclecticism, blending original compositions with one jazz standard. It delivers a “bright, hopeful, courageous” and “extremely beautiful” vibe and features Cohen’s working core trio, with Guy Moskovich on piano and Roni Kaspi on drums. The trio is praised for its versatility and dynamism. Besides the trio Avishai invited special guests who contribute to a richer sound, including young saxophonist Yuval Drabkin, trumpeter Lars Nilsson, flugelhorn player Hilel Salem, trombonist Jakob Sollerman, flutist Ilan Salem, guitarist Yosi Ben Tovim, and vocalist Jenny Nilsson.
“Brightlight” includes a mix of Cohen’s original compositions, as well as arrangements of jazz standards and one classical composition . Notably, it features his take on George Gershwin’s classic “Summertime” (with vocals) and Franz Liszt’s “Liebestraum Nr 3.”
Reviews highlight Cohen’s signature bass drive, the “glistening” piano of Guy Moskovich, and the crisp and powerful drumming of Roni Kaspi. The album explores various moods, from intricate and accessible melodies to more upbeat, swinging tunes. Some tracks evoke a “West Coast feel” with the addition of horns and guitar.
2025 Looks to be a promising year! Cohen, who has distinguished himself in the past as a great promoter and discoverer of gifted young musicians, once again brings exceptional new young talent to the fore by introducing Itay Simhovich on piano and Eviatar Slivnik on drums his new working trio members.
Besides the new trio ,Avishai introduced in 2024 at Jazz à Marciac for the first time a new generation of rising stars on stage who are connected to Avishai and his musical influence , The Avishai Cohen Quintet will tour extensively and globally in 2025 with his new trio members,complimented by Yonathan Voltzok on Trombone and Yuval Drabkin on Saxophone.
In May 2025 Avishai was invited to a significant and well-regarded collaboration with the Metropole Orkest, led by chief conductor Jules Buckley. The concerts are celebrated for being a powerful and “unforgettable musical experience,” blending Cohen’s distinctive jazz, world and classical music influences with the orchestral might of the Metropole Orkest.
Avishai Cohen’s music is known for its expressiveness, emotional depth, and cinematic quality, incorporating elements of classical, pop, funk, and Arabic music alongside his jazz roots. The Metropole Orkest, famous for its genre-transcending capabilities, provides a rich and dynamic backdrop, elevating Cohen’s compositions with orchestral arrangements.
Their concerts often feature reinterpreted older works of Cohen, originally known from his trio formations, transformed into a “orchestral colour explosions.” This isn’t a simple “solo-plus-strings” concept, but a thorough re-approach that brings out the best of both worlds. While Cohen is the star, the Metropole Orkest is never simply a docile accompanying act. There’s ample space for the orchestra’s own sound and for its talented soloists to shine. Reviewers often highlight the interaction between Cohen and individual orchestra members, and the orchestra’s ability to pick up on Cohen’s complex time signatures.
Their concerts are described as being filled with a “torrent of notes and emotions.” Cohen is known for his showmanship, virtuosic bass solos, and expressive vocal parts, while the orchestra under Buckley delivers a “kick” that fills the halls.
More musical projects are planned for 2025 and into 2026!
(Updated: July 2025)